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WAITING FOR THE
BARBARIANS
(2020)
Production Company: Iervolino
Entertainment, Ithaca Pictures
Distributors: Samuel Goldwyn Films
Release date
(USA): 7 August 2020
Director: Ciro
Guerra
Screenplay: J.M. Coetzee
Based on the
Novel
by J.M. Coetzee
Music Composed by Marco Beltrami
&
Buck Sanders
Orchestra Conducted by Marco
Beltrami
Performed by The
Hollywood Studio Symphony
Orchestrated by Thomas
Kresge
Recorded and
Mixed by Tyson Lozensky
Recorded
at Pianella Studios, Malibu, CA
Music Editor Ted Caplan
Temp Music
Editor Richard Ford
Music Preparation Thomas
Kresge
Music Produced by Marco Beltrami & Buck
Sanders
Violin Solos Sandy
Cameron
Vocals and Percussion by Úyanga
Bold
Cello and Horse Head Fiddle Solos by Andrew Schulman
Male Throat Singing Yorgos Adamis |
| Synopsis: The
drama centers on the crisis of conscience of a character
known as the Magistrate (Rylance) — a loyal servant of
"the Empire" working in a tiny frontier town. A warrant officer
for the Empire (Robert Pattinson) is set to replace the
Magistrate after he's charged with treason — consorting
with the barbarians. Meanwhile the sinister Colonel Joll (Depp)
leads a special forces expedition beyond the
frontier, capturing barbarians he later publicly tortures. Waiting
for the Barbarians is billed as a "startling allegory of
the war between oppressor and oppressed," in which the
Magistrate must choose between what he feels is right and his duty to the
Empire in the midst of
conflict.
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A
NOTE FROM THE COMPOSERS |
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The director seemed to be very receptive to the idea of not being culturally specific but having
overtones of the English colonialism of Mongolia. Even the book is very noncommital to when it is,
who it is, where it is. Some of the intimate scenes were definitely character-based. Then there's
some landscape shots - like when they first go through the desert. I think the sparseness of the desert
and the extreme conditions probably influenced the sparse nature of the score. The way the film is shot
and the lack of dialogue, and there's no hurried story, it just gave us tons of space to work with, so we
could have these violin solos with interesting delays and stuff like that - where normally it'd be really
hard to get something like that to fit. We did this right after FORD V FERRARI, so it was a total
shift of gears - and I actually think that, in some weird way we
worked on FORD V FERRARI inspired this, in the sense of Mangold's
attention to details, and when to focus on elements. For some
reason, I feel connection between the two. It's become one of my favorite things we've done. |
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L A -
L A L A N D R E C O R D S (LLLCD 1568) |
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SUMMER
01. Opening (3:42)
02.
Townspeople (0:46)
03. Pig Dispute / Reading Wood Planks /
Letter from Colonel (3:57)
04. Colonel Leaves with
Prisoners / Olive Farming (3:05)
05. Return with Prisoners
(1:11)
06. Let the Prisoners Go (2:08)
WINTER
07. Foot Massage (1:43)
08.
Washing Feet (1:56)
09. Tired of Talking
(1:32)
SPRING
10. Into the Desert
(4:00)
11. Moving On (0:47)
12. There’s People Ahead /
Tent / The Barbarians (1:02)
13. Returning (2:51)
14.
Torture (5:13)
15. Humiliation (3:55) |
AUTUMN
16. Riders in the Distance /
Leaving Town (2:06)
17. Home Alone (0:47)
18. Closing
the Gate (2:06)
19. Final Daydream / Approaching Barbarians
/ End Titles (2:35)
BONUS TRACK
20. Woman of the Dunes
(1:05)
Release
date: 13 July 2021
Total Time: 46:52
Length of
the Score: 50 minutes
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Purchase links:
La-La Land Records, Intrada, Music Box, SAE, Amazon, Amazon UK, Amazon
DE,
iTunes | |
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