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RED EYE
(2005)
Production Company: DreamWorks, BenderSpink, Craven-Maddalena Films
Distributors: DreamWorks
Distribution & DreamWorks Home Entertainment
Release date
(USA): 19 August 2005
Director: Wes
Craven
Screenplay: Carl Ellsworth
Based on the
Story
by Carl Ellsworth & Dan
Foos
Music Composed by
Marco Beltrami
Additional Music by Marcus
Trumpp & Tom
Hiel
Orchestra Conducted by Pete
Anthony
Performed by
The Hollywood Studio
Symphony
Orchestrated by Rossano Galante, Christopher Guardino, Bill
Boston, Carlos Rodriguez, Marcus Trumpp & Tom
Hiel
Recorded and
Mixed by John Kurlander
Assistant Engineer Ryan
Robinson
Music Editor Alex Gibson & Denise Okimoto
Orchestra
Contracted by Peter Rotter
Music Preparation Steven L. Smith, Mark Graham, Lars
Clutterman & Jonathan A.
Hughes
Music Produced by Marco
Beltrami & Buck Sanders
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| Synopsis:
This is the story of a young resourceful heroine named Lisa
Reisert who hates to fly, but the terror that awaits her on
the night flight to Miami has nothing to do with a fear of
flying! Upon boarding the plane, Lisa is trapped on a red-eye
flight with a creepy villainous handsome and charming man by
the name of Jackson Rippner, who's playing middle-man in the
plot to assassinate a Homeland Security official. He's got her
father pinned down by a would-be killer, using that advantage
to coerce Lisa into phoning the luxury resort where she works
and arranging to move the target into a pre-set
position.
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A NOTE FROM THE
COMPOSER |
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I was excited that we were all doing this
together. Wes is a master at horror and manipulating the audience,
and it was going to be great to have that opportunity in the service
of a thriller. But where scoring horror is more of a ride where
you're lookig for little things along the way to surprise the
audience, suspense music needs to build up over time. That made it
important to get some thematic stuff together right from the opening
of RED EYE to musically present the characters, and let the audience
know that they were going to be going on a thrill ride. I remember
having a lot of fun with the brass players on this, because their
work really pulled the score together. We used brass in a very
different way from SCREAM, less with big sustains and triadic hard
stuff and more with intricate and linear movement. The percussion
was also a lot of fun, because you could make a lot of noise that
really drove the score. I was eager to score RED EYE, because I knew
it was a great way for Wes and me to show we could work together
outside of the horror movies that people associated us with.
We have camaraderie in the filmmaking process where a lot of things
are up in the air until they're done. The trust that Wes and Patrick
had in me translated into my music in ways that went even above
horror and
suspense. |
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I N T R A D A R E C O R D S (Special Collection Vol. 315) |
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01. Main Title
Sequence (2:05)
02. Arriving at the Airport (4:10)
03. A Friendly Gesture (1:15)
04. Waiting for the Flight (2:37)
05. Takeoff (1:58)
06. Changing Focus (10:11)
07. No Back-Up Plan (4:19)
08. Things that Go Bump in the Night
(4:12)
09. Bathroom Interlude (4:13)
10. A Stolen Pen (2:18)
11. Landing (8:47)
12. The Pen is
Mightier than the Sword (4:56)
13. Rocket Fishing (3:16)
14. Arriving at Home (2:04)
15. Jack’s Back (8:36)
16. End Credits (8:51)
The Extras
17. Arriving at the Airport, Pt.
1 - Alternate (2:23)
18. Jet Lag Gestures
(2:31)
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Release date: 14 April 2015
Total Time: 79:12
Length of the Score: 80
minutes
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Purchase
links:
Intrada Records,
Screen Archives,
Movie Music
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